30 April 2026

Elizabeth Peyton

hakuro (Klara), 2023
Oil pastel, colored pencil, and pastel pencil on paper
30.5 x 22.9 cm

Elizabeth Peyton. Mountains in my heart (the death of Sarpedon)
19 March — 2 May 2026
David Zwirner, New York

Elizabeth Peyton

Flowers (Simone, The Sea), 2025
Watercolor on paper
35.6 x 25.4 cm

29 April 2026

Philip Guston

Untitled (Wall)
Ink on paper
35.6 x 43.2 cm

Life with P. Philip Guston: paintings and drawings, 1964-1978
21 April – 10 July 2026
Hauser & Wirth, New York

Philip Guston

Letter, 1968
Ink on paper
45.7 x 61 cm

27 April 2026

Jorge Galindo

Sacromonte 54, 2022
Oil on paper
109.9 x 80 cm (framed)

Jorge Galindo

Os Uivos das Celas 11, 2023
Oil and glued wallpaper on canvas
120 x 100 cm

Jorge Galindo

Sacromonte 41, 56, 27, 31, 2022
Oil on paper
Suite of 4; 111.1 x 81.3 cm (each)

20 April 2026

Tacita Dean

Icarus, 2026
Chalk, pearlescent powdered pigment, gouache on slate
Slate: 49.8 x 50.8 cm | Frame: 56.5 x 55.2 cm

Tacita Dean. Trial of the Finger
21 February – 25 April 2026
Marian Goodman, Los Angeles

Tacita Dean

Lover’s Pinch, 2025
Chalk, pearlescent powdered pigment, gouache and white charcoal pencil on found painted slate
78.7 x 78.7 cm

14 April 2026

Christina Quarles

Shaded, 2026
Charcoal on paper
76.2 x 55.9 cm

Christina Quarles. The Ground Glows Black
24 February – 3 May 2026
Hauser & Wirth, Los Angeles

Links: [website Christina Quarles] [Hauser & Wirth] [Pilar Corrias] [In the Studio] [Bodies seen from within]

Christina Quarles

I Hope It Dosent Hurt Bad, But I Guess It Couldn’t Hurt Good, 2026
Charcoal on paper
76.2 x 55.9 cm

[from the pressrelease]
The exhibition will also debut a new series of five charcoal works on paper. Unlike acrylic paint, charcoal imposes tighter constraints. These new works are made through erasure rather than addition: forms emerge as the material is removed, with sections of paper carefully cut away and surfaces peeled back using an X-Acto knife. Because stenciling is so central to her practice—creating order through sharp edges and layered forms—Quarles developed a way to invert that process in charcoal.

A weblog about contemporary drawing, art on paper, notes, scribbles and an occasional painting or photograph.
Curated by Stephan van den Burg

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