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Drawings & Notes

29 October 2022
General Idea | Untitled, 1992 | Collage, found offset on paper, watercolor, and gouache on sketchbook paper - contemporary drawing, drawings, work on paper

General Idea

Untitled, 1992
Collage, found offset on paper, watercolor, and gouache on sketchbook paper
35.5 x 26.5 cm

Ecce Homo: The Drawings of General Idea [AA Bronson, Felix Partz and Jorge Zontal]
7 October 2022 – 15 January 2023
The Drawing Center, New York

General Idea
Untitled, 1985
Felt pen, gouache, graphite, and acrylic on sketchbook paper
27.8 x 20.3 cm

[from the pressrelease]
Living and working together as part of the Toronto arts and theater community, AA Bronson (b. Michael Tims, 1946, Vancouver), Felix Partz (b. Ronald Gabe, 1945, Winnipeg; d. 1994), and Jorge Zontal (b. Slobodan Saia-Levy, 1944, Parma, Italy; d. 1994) formalized their collaboration in 1969 into a single entity known as General Idea. From their earliest projects like the staging of The 1970 Miss General Idea Pageant to their late activist initiatives around the AIDS crisis (among their most famous projects is the 1983 re-envisioning of Robert Indiana’s LOVE print as a memetic icon referencing the recently-named syndrome), General Idea explored multimedia, conceptual, and performance work as a tool for engaging with common culture and its repressions.

Less well-known are the drawings authored by General Idea between 1985 and 1993, which The Drawing Center, in partnership with Musée d’art moderne et contemporain Geneva (MAMCO), will bring together for the first time in the United States, and again in Geneva in February 2023. Investigating motifs in the group’s multimedia works such as poodles, stiletto heels, masks, heraldry, and metamorphosed genitalia, these drawings were primarily produced by Jorge Zontal during group meetings. However, given General Idea’s mandate for co-authorship, as well as the circumstances under which they were executed, the drawings are considered to be collaborative. Although they are done entirely by hand, the repetition of specific motifs follows a viral logic that is akin to General Idea’s own penchant for mass reproduction. Seen together, these drawings are a fascinating window into General Idea’s distinct artistic vision as well as their unique notions of collaboration and co-authorship.

General Idea
Untitled, 1992
Watercolor and gouache on sketchbook paper
35 x 26.5 cm

A weblog about contemporary drawing, scribbles, notes and an occasional painting or photograph. Click on images to go directly to original pictures, or on the links to learn more about the artist involved. 

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