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Drawings & Notes

7 December 2022
drawing Hans op de Beeck | Dandelion Clock (study), 2022 | black-and-white watercolour on Arches paper - contemporary drawing, work on paper, drawings, contemporary art

Hans op de Beeck

Dandelion Clock (study), 2022
black-and-white watercolour on Arches paper
59.4 x 49 cm

Hans op de BeeckWorks on Paper
26 November – 31 December 2022
Gallery Ron Mandos, Amsterdam

Hans op de Beeck
Winter Road (study), 2022
black-and-white watercolour on Arches paper
81 x 100 cm

Hans op de Beeck
The Pond, Last Winter, 2022
black-and-white watercolour on arches paper
130 x 290 cm

[from the pressrelease]
In 2009, Op de Beeck exhibited at Rome’s historic Galleria Borghese. In dialogue with the old masters from the collection, he developed six expansive monochrome watercolours. Today, these paintings exist as part of the MAXXI (Museum of Contemporary Art, Rome) permanent collection. Since then, Op de Beeck has worked prolifically on continuing this series – a steadily growing oeuvre of watercolours. Though fully matured and autonomous works in their own right, they have evolved into a kind of picture-book, an ever-expanding universe of images.

Op de Beeck’s watercolours envisage fictional places – within these spaces dark and fairy-like characters emerge in nocturnal settings. These enigmas elicit a sense of alienation and melancholy, whilst radiating peace and tranquility in equal measure. The figures and places offer seeds for the audience to create a story.

Each of the works is painted at night, alone in a silent studio. Here, without interruption the creative process becomes one of being intoxicated with timelessness. Just as in a dream, the process is one of accessing the subconscious – a ritual of surrender to the unknown. Op de Beeck wrestles with the growing pains and obstacles of the human condition. Here, the futility of man in the face of the sublime and the natural world becomes his point of departure (…)

Op de Beeck often balances the gentle and idyllic with the disturbing and dark. Notions of mystery, the unexplainable and the fundamental loneliness of our existence recur regularly. Alongside, we see other subtly recurring motifs – still lives of banal objects as memento mori; or the micro-poetry of raindrops on water and soap bubbles floating languidly by.

Hans op de Beeck
Vanitas (flowers and soap bubbles), 2022
black-and-white watercolour on Arches Paper
118 x 147 cm

13 March 2019

Hans op de Beeck

Snow Landscape (road), 2019
Black and white watercolor on Arches paper in wooden frame
111 x 200 x 4.4 cm

Hans op de Beeck
23 February – 6 April 2019
Marianne Boesky Gallery, New York

Hans op de Beeck

The Lake Dwelling, 2019
Black and white watercolor on Arches paper in wooden frame
100 x 100 x 4.4 cm

Hans op de Beeck

The Bridge, 2019
Black and white watercolor on Arches paper in wooden frame
111 x 200 x 4.4 cm

A weblog about contemporary drawing, scribbles, notes and an occasional painting or photograph. Click on images to go directly to original pictures, or on the links to learn more about the artist involved. 

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