Anni Albers
Study for Camino Real, 1967
Gouache and diazotype on paper
44.5 x 40.6 cm
Anni and Josef Albers
15 October 2022 – 15 January 2023
Kunstmuseum Den Haag
Josef Albers
Homage to the Square, 1957
Oil on Masonite
61 x 61 cm
Study for Camino Real, 1967
Gouache and diazotype on paper
44.5 x 40.6 cm
Anni and Josef Albers
15 October 2022 – 15 January 2023
Kunstmuseum Den Haag
Homage to the Square, 1957
Oil on Masonite
61 x 61 cm
Dandelion Clock (study), 2022
black-and-white watercolour on Arches paper
59.4 x 49 cm
Hans op de Beeck. Works on Paper
26 November – 31 December 2022
Gallery Ron Mandos, Amsterdam
Links: [website Hans op de Beeck] [Gallery Ron Mandos] [Artsy] [more on Drawings & Notes]
Hans op de Beeck
Winter Road (study), 2022
black-and-white watercolour on Arches paper
81 x 100 cm
Hans op de Beeck
The Pond, Last Winter, 2022
black-and-white watercolour on arches paper
130 x 290 cm
[from the pressrelease]
In 2009, Op de Beeck exhibited at Rome’s historic Galleria Borghese. In dialogue with the old masters from the collection, he developed six expansive monochrome watercolours. Today, these paintings exist as part of the MAXXI (Museum of Contemporary Art, Rome) permanent collection. Since then, Op de Beeck has worked prolifically on continuing this series – a steadily growing oeuvre of watercolours. Though fully matured and autonomous works in their own right, they have evolved into a kind of picture-book, an ever-expanding universe of images.
Op de Beeck’s watercolours envisage fictional places – within these spaces dark and fairy-like characters emerge in nocturnal settings. These enigmas elicit a sense of alienation and melancholy, whilst radiating peace and tranquility in equal measure. The figures and places offer seeds for the audience to create a story.
Each of the works is painted at night, alone in a silent studio. Here, without interruption the creative process becomes one of being intoxicated with timelessness. Just as in a dream, the process is one of accessing the subconscious – a ritual of surrender to the unknown. Op de Beeck wrestles with the growing pains and obstacles of the human condition. Here, the futility of man in the face of the sublime and the natural world becomes his point of departure (…)
Op de Beeck often balances the gentle and idyllic with the disturbing and dark. Notions of mystery, the unexplainable and the fundamental loneliness of our existence recur regularly. Alongside, we see other subtly recurring motifs – still lives of banal objects as memento mori; or the micro-poetry of raindrops on water and soap bubbles floating languidly by.
Hans op de Beeck
Vanitas (flowers and soap bubbles), 2022
black-and-white watercolour on Arches Paper
118 x 147 cm
We can’t be good no more, 2022
Pearlescent acrylic ink, watercolor, and graphite on paper
196.5 x 132.1 cm
Marcel Dzama. Child of Midnight
17 November – 22 December 2022
David Zwirner, London
Links: [David Zwirner] [Guardian] [more on Drawings & Notes]
Marcel Dzama
Untamed and intractable, 2022
Pearlescent acrylic ink, watercolor, and graphite on paper
193.4 x 131.4 cm
Rainbow Herbicides, 2021
Graphite, spray paint on paper
124 × 96 cm
Links: [website Thu Van Tran] [Galerie Rüdiger Schöttle] [Almine Rech]
Thu Van Tran
Colors of grey, 2020
Pigment, water on paper
59 × 49,5 cm
Black Pages VI: An Abiding Affection, 2022
aquarel pencil on paper
76 x 57 cm
Guy Vording en Stefan Serneels. Fear isn’t so difficult to understand
21 October – 26 November 2022
galerie dudokdegroot, Amsterdam
Links: [website Guy Vording] [Gallery dudokdegroot]
Guy Vording
Black Pages III: One was badly hurt, 2022
Aquarel pencil on paper
39 x 30 cm
Guy Vording
Black Pages VI: To another Life, 2022
Aquarel pencil on paper
40 x 57 cm
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