Christopher Wool
Untitled, 2020
oil and inktjet on paper
55.9 x 43.2 cm
Christopher Wool
2 June – 30 July 2022
Xavier Hufkens, Brussels
Links: [website Christopher Wool]
Christopher Wool
Untitled, 2020
oil and inktjet on paper
55.9 x 43.2 cm
Untitled, 2020
oil and inktjet on paper
55.9 x 43.2 cm
Christopher Wool
2 June – 30 July 2022
Xavier Hufkens, Brussels
Links: [website Christopher Wool]
Untitled, 2020
oil and inktjet on paper
55.9 x 43.2 cm
Bruce Nauman
Untitled, 1994
Pencil on cut-and-pasted printed paper
82.9 x 82.6 cm
Bruce Nauman
Fist in Mouth, 1990
Cut-and-pasted printed paper and paper with watercolor and pencil on paper
51.4 x 60.3 cm
Bruce Nauman
Sex and Death/Double 69, 1985
watercolor and crayon
216 x 134 cm
Portrait of Sol LeWitt, 1966
Pen and ink on graph paper
5.25 x 5.5 inches
Mel Bochner Drawings: A Retrospective
23 April – 22 August 2022
The Art Institute of Chicago
Mel Bochner
Theory of Painting (Part Three), 1969
[from the pressrelease]
Mel Bochner: “For me drawing is the way to see what I’m thinking. All one needs is something to make a mark and a surface to make the mark on. Every medium has its particular quality. Charcoal is dry and burnt, pastel thick and luminous, conté crayon crisp and translucent. Different papers are dense or light, resistant or absorbent, bright or dull. The flexibility of these materials in combination gives a drawing its specificity and contributes to the pure physical pleasure one takes in drawing. But while every medium reveals something, it also hides something else. Changing mediums can reveal what is hidden.”
Untitled, 1994
pencil and crayon on paper
42 x 59 cm
Oswald Oberhuber
Untitled, 1985
Pencil, crayon on paper
42.1 x 55.9 cm
Chaine Humaine, 2022
wax pastel, wool and coloured pencil on paper
55 x 36,5 cm
Pélagie Gbaguidi. Le jour se lève
12 March – 30 April 2022
Gallery Zeno-X Gallery
Chaine Humaine, 2022
wax pastel and coloured pencil on paper
36,5 x 27,5 cm
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