9 January 2020

Rose Wylie

Orange Spider, 2019
Ballpoint pen, pencil, coloured pencil and collage paper
21.3 x 13.5 cm

Rose Wylie. Painting a noun…
9 January – 22 February 2020
David Zwirner, New York

Rose Wylie

Small Black Serena, 2019
Ballpoint pen, pencil, coloured pencil and collage paper
19.2 x 17 cm

Rose Wylie

Mexican Can, 2019
Pen, coloured pencil, marker and collage on paper
32.5 x 31.7 cm

5 December 2019

Kiki Smith

Untitled (Woman with Bird), 2003
ink on paper
50.8 x 76.2 cm

A Passion for Drawing | The Guerlain Collection from the Centre Pompidou Paris
11 October 2019 – 26 January 2020
Albertina Museum, Vienna

With work from: Mark Dion, Marcel Dzama, Marcel van Eeden, Catharina van Eetvelde, Jana Gunstheimer, Erik van Lieshout, Robert Longo, David Nash, Cornelia Parker, Joyce Pensato, Chloe Piene, Pavel Pepperstein, Javier Pérez, Anne-Marie Schneider, Kiki Smith, Nedko Solakov, Renie Spoelstra, Aya Takano, Sandra Vásquez de la Horra, Jorinde Voigt

Sandra Vasquez de la Horra

La Fresca, 2006
graphite and colored pencil on paper in beeswax
50 x 35 cm

[from the pressrelease]
“Ever since the 1990s, Florence and Daniel Guerlain’s interest has been focused on contemporary drawing, and the two have by now accumulated an extensive collection of works by internationally known artists. They are also the initiators and sponsors of the Prix de dessin, which is conferred annually by a jury.
2013 saw this couple donate part of their collection—totaling 1,200 drawings—to the Centre Pompidou in Paris. And now, as the first Central European museum to do so, the Albertina Museum is providing a glimpse into the Guerlains’ activities as collectors by showing a selection of highlights from these holdings.”

Joyce Pensato

Flying Home, 2010
charcoal on paper
50.8 x 40.6

Mark Dion

The Shipwreck, 2001
graphite, watercolor and ink on paper
40.5 x 47.8 cm

Erik van Lieshout

Tim Dog, 1992
charcoal, oilpaint, aquarel on papercollage
70 x 100 cm

29 November 2019

Simon Benson

Return + In My Own Time, 2019
pencil on paper
60 x 45 cm

Simon Benson. Return, Return. Drawings, objects
29 november 2019 – 19 januari 2020
Galerie Phoebus, Rotterdam

Simon Benson

To Go Or Come Back _ West Bay, 2019
pencil on paper
70 x 140 cm

Simon Benson

The Wind Formed _ West Bay, 2019
pencil on paper
50 x 40 cm

23 November 2019

Michael Williams

Untitled Puzzle Drawing, 2019

pen and collage on paper
30.5 x 22.6 cm

Carroll Dunham | Michael Williams. Drawings

curated by Cornelius Tittel
23 November 2019 – 11 January 2020
Gallery Max Hetzler, Berlin

Carroll Dunham

Untitled (12/21/91), 1991

pencil and ink on paper
11.4 x 16.5 cm

Michael Williams

Untitled Puzzle Drawing, 2019

pen and collage on paper
30.5 x 22.6 cm

Carroll Dunham

Untitled (5/25/17), 2017

watercolour crayon and pencil on paper

38.1 x 28.5 cm

[from the pressrelease]
30 years apart and both hailed as leading painters of their generations, Carroll Dunham and Michael Williams have been visiting each other’s studios and collecting each other’s drawings for years. Born out of their friendship and an ongoing dialogue in drawing — a medium at the core of both artists’ practices — Carroll Dunham | Michael Williams: Drawings is the first exhibition to present their work together. Curated by Cornelius Tittel, in close collaboration with the artists, the show brings together more than 50 drawings from the late eighties until today. Dunham has chosen examples from both an early phase he now calls “abstraction with a hard-on”, and more recent figurative drawings of “Bathers” and “Wrestlers”, while Williams has juxtaposed these with his technically complex “Puzzle” drawings, as well as a large group of absurdly comical, figurative drawings he often turns into large format inkjet paintings. By highlighting their shared inspirations — from Psychedelia to Underground comics in the style of Robert Crumb — and showing both artists’ development and stylistic diversity, the exhibition reveals, for the first time, the unique laboratory of ideas behind the subjects and techniques of two of America’s most challenging contemporary painters.

Michael Williams

Traditional Cornish Cottages, 2017

pen, coloured pencil and collage on paper

24.5 x 19.5 cm

21 November 2019

Zipora Fried

I Live in the Mirror, 2019
Colored pencil on archival museum board
203.2 x 137.2 cm

Zipora FriedAs the Ground Turns Solid
21 November 2019 – 18 January 2020
Sikkema Jenkins & Co., New York

Zipora Fried
There Was Only the Sound of the Sea, 2019
Colored pencil on archival museum board
203.2 x 137.2 cm

[from the pressrelease]
Zipora Fried’s series of pencil drawings drew inspiration from the vivid flora and fauna of Lamu Island. Hues of blue, green and gold meld into one another, recalling the artist’s own visions of Lamu Island, of “sky and mud colored lizards, soft-toned cicada shells, sunsets echoing exploding worlds […] the yearning breath of the tide syncopating melodically with the infinite characteristics of the sand.” Composed of meticulously patterned lines, the act of drawing each individual stroke mediates a delicate balance between the composure of ritual and the inconsistency in reiteration. Each mark thus becomes subsumed within a larger color field, as the rational functionality of line and form are deconstructed and transformed into a unique sensorial experience.

A weblog about contemporary drawing, art on paper, notes, scribbles and an occasional painting or photograph.
Curated by Stephan van den Burg

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