7 November 2019

Mel Bochner

Blah, Blah, Blah / Need I Say More?, 2019
oil on velvet, in three parts
each: 76.2 x 228.6 cm | overall: 228.6 x 228.6 cm

Mel Bochner. Exasperations
5 November – 21 December 2019
Peter Freeman, Inc., New York

Mel Bochner

HA HA HA, 2017-2019
oil on water based ink and UV screen print ink on paper
182.9 x 131.8 cm

Mel Bochner

Blah, Blah, Blah, 2017-2019
oil on water based ink and UV screen print ink on paper
182.6 x 131.4 cm

6 November 2019

Bernd Ribbeck

Untitled, 2018
Acrylic, pigmented marker and ballpoint pen on MDF
40 × 30 cm

Bern Ribbeck

Untitled, 2016
Acrylics, Ballpointpen, Pigmented Marker On MDF
32 × 28 cm

5 November 2019

Francis Alÿs

Untitled, 2002
Graphite, paint, and tape on vellum
33.7 x 33.7 cm

Francis Alÿs

La Théorie des Ensembles (I), 1996
graphite, colored pencil, colored chalk and tape on attached sheets of vellum
29.8 x 36.8 cm

Francis Alÿs

Untitled (Boy with Jug), 2000
Oil and pencil on cut-and-taped transparentized paper
30.5 x 20 cm

4 November 2019

Louise Bourgeois

Ste. Sébastienne, 1998
ink on Xerox paper mounted on canvas
197 x 160 cm

Louise Bourgeois: To Unravel a Torment
12 October 2019 – 17 May 2020
Museum Voorlinden, Wassenaar

3 November 2019

Julie Mehretu

Sun Ship (J.C.), 2018
ink and acrylic on canvas
274.3 x 304.8 cm

Julie Mehretu
3 November 2019 – 17 May 2020
Los Angeles County Museum of Art

Julie Mehretu

Hineni (E. 3:4), 2018
ink and acrylic on canvas
96 × 120 in.

[from the pressrelease]
Co-organized by the Los Angeles County Museum of Art and The Whitney Museum of American Art, Julie Mehretu is a mid-career survey that will unite nearly 40 works on paper with 35 paintings dating from 1996 to the present by Julie Mehretu (b. 1970, Addis Ababa, Ethiopia). The first-ever comprehensive retrospective of Mehretu’s career, it covers over two decades of her examination of history, colonialism, capitalism, geopolitics, war, global uprising, diaspora, and displacement through the artistic strategies of abstraction, architecture, landscape, movement, and, most recently, figuration. Mehretu’s play with scale, as evident in her intimate drawings and large canvases and complex techniques in printmaking, will be explored in depth.

Julie Mehretu

Conjured Parts (eye), Ferguson, 2016
Ink and acrylic on canvas
213.4 x 243.8 cm

A weblog about contemporary drawing, art on paper, notes, scribbles and an occasional painting or photograph.
Curated by Stephan van den Burg

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