2 March 2019

Silvia Bächli

Untitled, 2018
Gouache on paper
62 x 44 cm

Silvia Bächli
9 February – 30 March 2019
Maisterravalbuena, Madrid

Silvia Bächli

Untitled, 2018
Gouache on paper
60 x 80 cm

Silvia Bächli

Untitled, 2018
Gouache on paper
62 x 44 cm

Silvia Bächli

Untitled, 2018
Gouache on paper
62 x 44 cm

1 March 2019

Fernando Bryce

Untitled (Cadaveres Atomicos), 2018
Ink on paper
103 x 72.7 x 4 cm

Fernando Bryce

Untitled (La Croix), 2018
Ink on paper
103 x 72.7 x 4 cm

28 February 2019

William Anastasi

Bababad (o), 2014
Oil, crayon, graphite on canvas
226 x 187 cm

William Anastasi

Without Title (Pocket Drawing, Köln 4.24.02 12:48), 2002
Graphite on paper
28 x 21.5 cm

William Anastasi

Bababad (bro), 2012
oil, pencil and graphite on canvas
226 x 118 cm

24 February 2019

Claudia Wieser

Untitled, 2018
Gold leaf and colored pencil on colored paper
70 x 50 cm

Claudia Wieser. Forum
10 January – 2 March 2019
Jessica Silverman Gallery, San Fransisco

Claudia Wieser

Untitled, 2018
Gold leaf and colored pencil on colored paper
29.7 x 21 cm

Claudia Wieser

Untitled, 2018
Gold leaf and colored pencil on colored paper
29.7 x 21 cm

15 February 2019

Roni Horn

If 2, 2011
Pigment, varnish, colored pencil, and graphite pencil on paper.
258 × 259 cm

Roni Horn: When I Breathe, I Draw, Part I
15 Februari – 5 May 2019
Menil Drawing Institute

Roni Horn

Or 7, 2014
powdered pigment, charcoal, graphite, colored pencil, and varnish on paper
278.1 x 257.8 cm

[from the pressrelease]
For over thirty years drawing has been fundamental to the practice of contemporary American artist Roni Horn (b. 1955), whose work revolves around the mutability of identity and the fragility of place, time, and language. Roni Horn: When I Breathe, I Draw presents a selected survey of the artist’s drawings from the early 1980s to her most recent work on paper. The presentation explores her unique technical approach of mark-marking with dense hues of pure pigment and her dynamic process of cutting and reassembling images and language. It includes a selection of large-scale and compositionally-complex works on paper, her series of saturated cadmium red drawings and an extensive group of cut photography, text and maps. This two-part exhibition is the first museum exhibition devoted to Horn’s drawings in the United States.

The first part of the show, on view February 15–May 5, 2019, features Horn’s encompassing drawings, some over ten feet tall. They belie their scale through the artist’s intricate passages of jotted notes. Marking time and consciousness, the personal notations maintain the intimacy of a whisper, pushing and pulling the viewer into and out of the large work. The exhibition’s title evokes the integral place of drawing within Horn’s artistic practice. It is derived from the artist’s understanding that drawing is akin to “a kind of breathing activity on a daily level.”

A weblog about contemporary drawing, art on paper, notes, scribbles and an occasional painting or photograph.
Curated by Stephan van den Burg

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