6 February 2017

Navid Nuur

The Tuners, 2005-2017
prepared linen canvas, mixed media
diptych, each 193 x 139 cm, framed

Navid NuurA&N&D
27 January – 4 March 2017
Galerie Max Hetzler, Berlin 

Navid Nuur
Untitled (what is lost in time will be found by time), 2016
chalk and graphite on paper
triptych, each 56 x 79 cm

Navid Nuur
Untitled (what is lost in time will be found by time) [detail], 2016
chalk and graphite on paper
triptych, each 56 x 79 cm

4 February 2017

Nour-Eddine Jarram

Candy Girl, 2016
watercolour on paper
30 x 21 cm

Nour-Eddine Jarram. Push The Button | paintings, works on paper
8 January – 5 February 2017
Galerie Maurits van de Laar, Den Haag

Nour-Eddine Jarram
La Dance Macabre, 2016
watercolour on paper
50 x 65 cm

18 January 2017

Adriana Czernin

Untitled, 2016
acrylic, pencil, coloured pencil on paper
100 x 120 cm

Adriana Czernin. Najm
18 January – 25 February 2017
Galerie Martin Janda

Adriana Czernin

Untitled, 2016
acrylic, pencil, coloured pencil on paper
140 x 220 cm

2 December 2016

Robert Rauschenberg

Untitled (De Gaulle), 1961
solvent transfer with gouache, watercolour and graphite on paper
57.1 x 74.9 cm

Robert Rauschenberg. Transfer Drawings from the 1950s and 1960s
2 December 2016 – 13 January 2017
Offer Waterman, London

Robert Rauschenberg

Untitled, 1968
solvent transfer on Arches paper with gouache, watercolour, coloured pencil and pencil
57.1 x 75.6 cm

[from the pressrelease]
Regarded as among the most influential and iconoclastic artists of his day, Rauschenberg’s best known work is characterised by a fascination with and appropriation of contemporary media, which can be seen throughout the transfer drawings. Whilst the drawings anticipate his silkscreen paintings of 1962–64, they are also amongst Rauschenberg’s most original and playful works and represent a true innovation in the history of drawing technique.

The exhibition is comprised of over thirty drawings, a sizeable percentage of the total number created in these decades. It will include several works on loan from important international collections, and an equal number of exceptional works presented for sale, such as Headline (1962), previously part of the collection of Andy Warhol and shown at the Whitney Museum in the year it was made, and Complete Relaxation (1958), from the year Rauschenberg began his 34 drawings for Dante’s Inferno (collection Museum of Modern Art, NY).

Rauschenberg began experimenting with the medium in 1952, before his landmark Combines, and at an increasing pace in the late 1950s. They are the fruit of his fascination with ‘the gap between art and life’. These were the artist’s first attempts to capture and repurpose mass media imagery, created by taking photographic images from newspapers and magazines and impressing them, in reverse, directly onto paper by hatching and rubbing with a dry pen nib. Whilst the drawings are not narrative in the traditional sense, they succeed in creating an evocative slice of contemporary life, embodying what Brian O’Doherty defined as Rauschenberg’s ‘vernacular glance.’

Robert Rauschenberg

Untitled, 1961
solvent transfer with gouache, watercolour, graphite and coloured pencil on paper
36.8 x 58.4 cm

27 October 2016

Cecily Brown

Combing the hair (beach), 2015
watercolor, pastel, ink and oil on paper
79 x 51 1/2 inches

Cecily BrownRehearsal
7 October – 18 December 2016
The Drawing Center, New York

Cecily Brown
Untitled (Ladyland with Bestiary), 2013
Watercolor, gouache, ink, and pastel on paper
14 1/8 x 20 1/8 inches

Cecily Brown
Untitled (St. Anthony), 2010
Watercolor and gouache on paper
20 1/8 x 14 1/8 inches

Cecily Brown
Untitled, 2015
Watercolor and pastel on paper
52 x 78 1/4 inches

Cecily Brown
Untitled (after Bosch and Boldini), 2015
watercolor and pastel on paper
79 x 51 1/4 inches

A weblog about contemporary drawing, art on paper, notes, scribbles and an occasional painting or photograph.
Curated by Stephan van den Burg

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